How To Draw Curly Hair For Female

If the idea of drawing hair overwhelms yous - yous're not lonely. It'south easy to see all of the details and textures inside pilus and assume that it must exist difficult to capture it all in a drawing. But it doesn't have to exist overwhelming and nosotros tin can simplify the process, making cartoon pilus a flake more manageable.

In this lesson, nosotros'll take a expect at how to draw hair and I'll share with yous a simple footstep by step approach of observation and application of media that can be applied to any blazon of pilus.

We'll beginning look at an easy to follow method that is broken down into iv singled-out processes...

Drawing Pilus - The Four-Stride Approach

I may be defining this process as a four-stride arroyo, however information technology'southward more like a three-stride approach. The third and fourth steps are combined and are executed at the aforementioned time. Before we begin the process of drawing the hair, we need to be sure that the structure of the head is drawn in place. The structure of the caput dictates the shape and catamenia of the hair and should exist defined earlier we begin cartoon the hair.

Step One - Define the Outer Contour of the Hair

Assuming that the construction of the head is in place, the first footstep is to define the outer contour or outline of the pilus. This includes the lines that are formed as the hair overlaps the brow, portions of the face, and the shoulders. In many cases, the hair lifts off of the cranium and may overlap much of the confront. Of grade, every head of hair is different and the contours that are fatigued at this stage will be different for every subject field.

Tip: The medium that you lot utilize volition influence how you approach drawing the hair. In this lesson, graphite pencils are used. For example, if y'all are drawing pilus with pastels, you may choose to fill in the shape of the pilus with solid color and skip drawing the contours.

We'll draw the contour lines lightly and loosely with a harder and lighter, 2H pencil. We're careful not to place as well much force per unit area on this harder pencil as this tin can lead to indenting in the surface of the paper.

Step Two - Draw Shapes For The "Clumps" of Hair

As we draw the contour lines, defining the overall shape of the pilus, we'll also depict smaller shapes for clumps of hair. Hair strands naturally collect and create a grade (which is what I am referring to as a "clump").

It conspicuously doesn't make sense to draw every strand of pilus. Not only would this take an incredible amount of time to accomplish, but it also would lead to very unnatural looking hair. Instead, we need to consider the pilus as a grade. We'll ascertain the book of these forms in the next step, simply for at present we'll concentrate on defining the shapes.

Step Three - Developing the Volume Through Value

Nosotros understand forms because of the mode in which light interacts and behaves on them. Nosotros understand low-cal through the use of value. Therefore, we understand forms in a cartoon through the use of value. Value is the darkness or lightness of a color. The placement of dark and low-cal values on a subject inform united states of the intensity of light and the nature of the form.

We must consider the values and tones that are observed within the pilus and include them in our drawing in club to communicate the volume of the hair. In most cases, a full range of value is present. This means that we're probable to find the darkest darks, the lightest lights, and the middle values all within a head of hair.

Because of the nature of lite, we can assume a few things...

• Locations that recede volition be darker in value.
• Locations that protrude will be lighter in value.
• No matter what the "color" of the hair, there will even so be light and dark values.

We know that locations within the hair that are closer to the light source or extend out from the caput are likely to "catch" more lite. Naturally, this results in an area of lighter value.

We too know that areas that recede or are blocked from receiving low-cal should be darker in value.

All hair colors will feature a total range of value. Blonds have locations of darker tone in their hair, and people that have black hair take areas that are about white (highlights).

If nosotros go along these things in mind, and then we tin assume that (in most cases) the parts of the hair and the areas around the face will be darker in value since these areas recede. We also know that highlights are most probable to exist found on the summit of the head, closest to a lite source above.

To control the value fully, we'll starting time with a harder 2H pencil and develop the locations of darkest value, the mid tones, and the locations of low-cal value. Nosotros'll do our best to preserve the areas of strongest highlight, allowing the white of the newspaper to do the piece of work for us.

Afterward the harder and lighter pencil is applied, we'll progress to a darker and softer i - addressing the areas of darkest value and tone. As we develop the value range and create the illusion of form, we'll also consider the texture.

Step Four - Draw the Texture of the Pilus

(The texture of the pilus is actually divers as the value is adult. So, the 3rd and fourth steps of this process are addressed meantime.)

Texture, like form, is also defined largely through the use of value. Light values and dark values work together to inform usa of the texture of the subject field. Loftier contrast between values with footling transition or gradation often leads to the illusion of coarse texture.

Smooth transitions between values with fifty-fifty gradations often leads to the illusion of a smoother surface texture.

But there is more to texture than the relationships of tone and value. The surface of the paper, the medium used, and the manner in which information technology is applied are all contributing factors as to how the texture of the subject area may be perceived by the viewer.

Hair is soft, but there should be some indication of linear texture. To create the impression of linear texture, nosotros'll apply the medium using directional strokes that flow over the course of each "clump" of pilus. These lines are sometimes referred to as cross profile lines.

For each layer of graphite that we apply, we'll use a blending stump to work the medium into the tooth or texture of the paper. This will help to create the impression of softness and polish any inconsistencies produced past the softer graphite applications.

Any locations within the hair that need to be lighter can exist rendered using an eraser. An eraser pencil or eraser pen works best at lifting the graphite in these areas. Strands of lighter hair can exist developed using the eraser every bit well.

To finish up, we'll add a few stray hairs that extend from the body of the hair. These stray hairs can exist made with quick deliberate marks with a sharpened HB pencil.

Hair is circuitous and is therefore circuitous to draw. But by breaking downward the steps, we can simplify the process a fleck. If you know how to meet pilus in terms of shapes, lines, and values then it becomes just like drawing annihilation else.

Drawing a Strand of Pilus

Every bit is the case with any subject that you lot depict, practice is of import. The more that we practice with a particular discipline, the better we understand it. Drawing a whole head of hair will requite you lot lots of practice. Notwithstanding for some, the thought of doing this may be intimidating. Instead, it may be amend to tackle a portion of the hair offset. In this case, a single strand of pilus will practise.

Y'all may outset by taking a photo of someone's hair - maybe your own. Try to isolate one portion of the hair. Look for a divers collection hair that forms a shape.

The four step approach that nosotros explored above can also be used for a unmarried lock of pilus...

1. Commencement by defining the shape with light, loose lines.
2. Pause the shape of the lock of hair downward into simpler shapes.
3. Look for the ascendant shapes of light, dark, and centre values.
4. Develop the texture and the value with directional strokes.

Drawing Directly Pilus

In both of our first two examples, we saw how to draw hair that is wavy. Just not everyone has wavy hair. So how is this process different if the hair is straight?

Well, it'due south not that different. In fact, we'll apply the same approach to describe hair of any way. The simply exception with straight hair is that we're likely to run into less dramatic changes in value. Nosotros'll withal see contrast between darks and lights, only this will happen from layering instead of within each "clump" of hair.

So again, we'll offset define the outer contour of the shape of the pilus. And once more, nosotros tin simplify this further into smaller shapes that depict the clumps.

From hither, we tin can look for the relationships of values. It may help to squint at your discipline. Doing this may make the shapes of lighter and darker value stand up out a bit more.

And so we'll apply directional stroking to develop the texture and the range of value.

In the example beneath, a combination of graphite and white charcoal is used to develop the drawing. The drawing is completed on toned paper which makes the white charcoal applications stand out. The prototype beneath is from Portrait Drawing The Smart Way.

How to Draw Curly Hair

Merely what about curly hair? Shouldn't this type of hair be different?

Well, the results may be different, merely the thought procedure is the aforementioned. We'll all the same demand to start with the overall shape of the hair. Curly hair tends to have more than devious hairs that discover their way exterior the confines of the general shape. For this reason, we'll concentrate on cartoon the shape without all of the stray hairs. These devious hairs can be added later the general shape has been drawn, but more than on this in a moment.

Afterwards the general shape has been divers, we'll consider the light source. In this case, the light source originates from the upper right corner. This produces highlights on the upper right portion of the head. Fifty-fifty though we take light areas here, nosotros'll withal see some night values as well. This is true even if the hair is calorie-free in color.

One time we have a good agreement of the light, nosotros can begin developing the texture and value of the hair. The directional strokes that are used should period along the course of each collection of hairs. With curly pilus, the collections are smaller and more compact. Since the hair is curly, the directional strokes that we make for each "clump" should also curve just as the hair does.

Once nosotros have the master trunk of the hair developed, nosotros tin can go back and add together those stray hairs. Doing this adds to the realism. Deliberate and confident marks piece of work all-time for stray hairs. Information technology doesn't accept to exist an verbal copy of the subject, so don't put as well much pressure on yourself to make information technology perfect.

Beneath you lot'll meet the finished portrait cartoon from The Colored Pencil Course along with shut ups of the marks used for devious hairs.

Unlike Approaches

In that location is no truthful formula for drawing hair. Every head of hair is unique and similar many aspects of figure drawing, changes in viewpoint tin can dramatically impact the arroyo that you take. Light reflects off of hair differently and textures are diverse.

Observation is always paramount to your success no affair what approach you lot take or method you choose to apply. There are ever multiple "rights" and dissimilar ways of seeing.

Another Case  - Footstep by Step

Begin by cartoon the outline of the exterior of the hair.  Discover the dark areas and the low-cal areas in the hair.  Try to map out these areas as shapes.  Don't try to depict every strand of hair.  Instead, concentrate only on shapes and the value inside them.

Adjacent, begin to add together value to the darker shapes first. You lot'll want to build up the value slowly. Be careful not to go too dark too speedily. Over again, don't retrieve near hair - recall shapes, values, and lines.

Continue concealment up the shapes and lines that you encounter. When you add together directional lines in the pilus, make sure that they flow in the management that the hair grows.

Contrast is important. Exist sure to have a background value in mind. This will make your hair stand out.

Don't be afraid to piece of work the values to increase the contrast. Adjust darker tones by calculation additional applications of graphite and make areas lighter with your eraser.

Exist patient and understand that drawing hair is slow process. Take your fourth dimension and allow the drawing to develop gradually.

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